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Simon Vouet

French Simon Vouet Gallery 1590-1649

Måleriet identifieringen::  1480
Sankt Cecilia
52.5 x 38.5 Suida - Bemannande insamling , Ren Museum Texas
French Simon Vouet Gallery 1590-1649 Titta min galleri i Sverige
 
 
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John William Waterhouse

English Pre-Raphaelite Painter, 1849-1917

Måleriet identifieringen::  27686
Sankt Cecilia
mk58 1895 olja på segelduk 123.2x200.7cm Den Andrew Lloyd Webber Konst Grundande
English Pre-Raphaelite Painter, 1849-1917 Titta min galleri i Sverige
 
 
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COXCIE, Michiel van

Flemish Northern Renaissance Painter, 1499-1592

Måleriet identifieringen::  43884
Saint Cecilia
1569 Oil on panel
Flemish Northern Renaissance Painter, 1499-1592 Titta min galleri i Sverige
 
 
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COXCIE, Michiel van Saint Cecilia oil painting reproduction

   
 

 

 
   
      

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John William Waterhouse

English Pre-Raphaelite Painter, 1849-1917

Måleriet identifieringen::  61567
Saint Cecilia
Saint Cecilia 1895
English Pre-Raphaelite Painter, 1849-1917 Titta min galleri i Sverige
 
 
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Bernardo Strozzi

1581-1644 Italian Bernardo Strozzi Galleries

Måleriet identifieringen::  81920
Saint Cecilia
Date between 1623(1623) and 1625(1625) Medium Oil on canvas Dimensions Height: 150 cm (59.1 in). Width: 100 cm (39.4 in). cjr
1581-1644 Italian Bernardo Strozzi Galleries Titta min galleri i Sverige
 
 
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Jacques Blanchard

(1600 - 1638), also known as Jacques Blanchart, was a French baroque painter who was born in Paris. He was raised and taught by his uncle, the painter Nicolas Bollery (ca. 1560-1630). Jacques's brother and son, Jean-Baptiste Blanchard (after 1602-1665) and Gabriel Blanchard (1630-1704), respectively were also painters. Jacques spent the years from 1624 to 1628 studying in Bologna and Venice. After briefly working in Turin at the court of the Charles Emmanuel I, Duke of Savoy (ca. 1628) he returned to France and set himself up in Paris in 1629. Jacques Blanchard is best known for his small religious and mythological paintings. He died in Paris in 1638. This painter should not be confused with the French sculptor of the same name who lived from 1634 to 1689. Nothing seems to be known of his work before he left for Rome at the age of twenty-four. After two years he moved to Venice, where he remained for two more years. It was there that his style was formed. He then went to Turin, where he worked for the Dukes of Savoy, before returning to France 1628. It is from the brief but productive period after his return that all his dated works survive. They show him to stand quite apart from his contemporaries, not only in his painting style but also in his choice of sensual subject-matter, for example the Bacchanal at Nancy. The chief influences were the sixteenth century painters, especially Titian and Tintoretto with their rich, warm colours, and Veronese, whose blond and silvery colour and limpid light he used most effectively in his small religious and mythological subjects. The several versions of Charity, depicted as a young woman with two or three children, are excellent examples of his tenderness of colour handling, and of a softness of sentiment nearer to the 18th than to the 17th century.

Måleriet identifieringen::  86387
Saint Cecilia
first half of 17th century Medium Oil on canvas cyf
(1600 - 1638), also known as Jacques Blanchart, was a French baroque painter who was born in Paris. He was raised and taught by his uncle, the painter Nicolas Bollery (ca. 1560-1630). Jacques's brother and son, Jean-Baptiste Blanchard (after 1602-1665) and Gabriel Blanchard (1630-1704), respectively were also painters. Jacques spent the years from 1624 to 1628 studying in Bologna and Venice. After briefly working in Turin at the court of the Charles Emmanuel I, Duke of Savoy (ca. 1628) he returned to France and set himself up in Paris in 1629. Jacques Blanchard is best known for his small religious and mythological paintings. He died in Paris in 1638. This painter should not be confused with the French sculptor of the same name who lived from 1634 to 1689. Nothing seems to be known of his work before he left for Rome at the age of twenty-four. After two years he moved to Venice, where he remained for two more years. It was there that his style was formed. He then went to Turin, where he worked for the Dukes of Savoy, before returning to France 1628. It is from the brief but productive period after his return that all his dated works survive. They show him to stand quite apart from his contemporaries, not only in his painting style but also in his choice of sensual subject-matter, for example the Bacchanal at Nancy. The chief influences were the sixteenth century painters, especially Titian and Tintoretto with their rich, warm colours, and Veronese, whose blond and silvery colour and limpid light he used most effectively in his small religious and mythological subjects. The several versions of Charity, depicted as a young woman with two or three children, are excellent examples of his tenderness of colour handling, and of a softness of sentiment nearer to the 18th than to the 17th century. Titta min galleri i Sverige
 
 
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Simon Vouet

b. 1590, Paris, d. 1649, Paris

Måleriet identifieringen::  87578
Saint Cecilia
Date c. 1626(1626) Medium Oil on canvas Dimensions 134.1 x 98.2 cm (52.8 x 38.7 in) cjr
b. 1590, Paris, d. 1649, Paris Titta min galleri i Sverige
 
 
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Simon Vouet Saint Cecilia oil painting reproduction

   
 

 

 
   
      

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Simon Vouet

b. 1590, Paris, d. 1649, Paris

Måleriet identifieringen::  92310
Saint Cecilia
1626(1626) Medium oil on canvas Dimensions 134.1 X 98.2 cm (52.8 X 38.7 in) cyf
b. 1590, Paris, d. 1649, Paris Titta min galleri i Sverige
 
 
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Simon Vouet Saint Cecilia oil painting reproduction

   
 

 

 
   
      

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Guido Reni

1575-1642 Italian Guido Reni Galleries

Måleriet identifieringen::  96151
Saint Cecilia
1606(1606) Medium oil on canvas Dimensions 95.9 X 74.9 cm cyf
1575-1642 Italian Guido Reni Galleries Titta min galleri i Sverige
 
 
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Guido Reni Saint Cecilia oil painting reproduction

   
 

 

 
   
      

Guido Reni
1575-1642 Italian Guido Reni Galleries
Saint Cecilia

        
 
   
 

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